Keith Moss, a South African-born composer, completed advanced studies in composition at Rhodes University and earned his doctorate at the University of Pretoria. He has won prestigious awards, including the SAMRO Overseas Scholarship and the Stefans Grové National Competition, and his works have been performed internationally. Currently based in Wellington, New Zealand, he composes and teaches the Alexander Technique from his studio.

BIOGRAPHY

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Works

Pieces by Keith Moss

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A Kalahari Eclogue

for orchestra and youth string orchestra

Andante ~ from String Quartet Nº1

Brass Quintet Nº1

Brass Quintet Nº2

Cello Sonata Nº1

for cello and piano

Concertino for Clarinet and Chamber Orchestra

Concertino for Marimba and Strings

Concerto for Euphonium and Orchestra

Concerto for Saxophone and Symphonic Winds

Drie Haikoes vir die reisiger

Horn Quartet Nº1

Hymn for Klara and Eva

for string orchestra (from String Quartet Nº3)

I Am Who I Am

for mezzo-soprano, string quartet and percussion

Into this Universe

Iris

arranged for string quartet

love is a place

for SATB, text by e.e. cummings

Meditation ~ from Concerto for Cello and Orchestra

Moon River

for cello sextet

navem ad somnium

for SATB and flute, text by e.e. cummings, translated by Keith Moss

Oboe Quintet ~ Cagn

for oboe and string quartet

Overture ~ for an unwritten Opera

Penido das Fontes

for orchestra

Saxophone Quartet Nº1 ~ Hymnus

Septet Nº1

for cor anglais, two violins, two violas and two cellos

Sextet Nº1

String Quartet Nº1

String Quartet Nº2 ~ for Eva and Clara

String Quartet Nº3

String Quartet Nº4 ~ Messitweet

Tanzanite

for flute and piano

The Eventide

the moon is hiding in her hair

for SATB, text by e.e. cummings

Three Haiku for the Traveller

for SATB, text by Lynette van der Merwe, translated by Keith Moss

To the Valleys

Trio Nº1 – Trio Lamentation

for cor anglais, cello and piano

Trio Nº4

for flute, oboe and clarinet

Trio Nº6

for oboe, french horn, piano (and prepared piano)

Two Piéces

for violin and piano

Wild Horses don’t Break

Wynken, Blynken and Nod

for SATB, text by Eugene Field